摘要
当生态和文学之间建立起一种跨学科的良性联系之时,从生态视角进一步探究文学作品的意义和美学价值则成为当下研究者积极关注的热点。伴随着研究者对文学生态的关注与思考,生态批评也成为一种时尚化的批评模式,获得评论界的广泛认同和运用,从小说文体开始,扩展到散文、戏剧、诗歌等体裁领域,使得文学批评的发展更具前沿性和不断实现新突破。本文力图以当代诗人陆健的诗歌生态为研究对象,以对清代戏曲理论家李渔"机趣"说的合理性解读为联结点,在李渔和陆健之间建构起一座不同艺术门类间交流、沟通的桥梁,进而阐释陆健诗歌生态的磁力——诗歌机趣这一核心问题。
When an interdisciplinary contact between ecology and literature is established, from an ecological perspective, further exploration of the literary significance and aesthetic value has become the focus of the contempo- rary researchers. Along with the concerns with and thinking of literary ecology of the researchers, coo-criticism has become a fashionable mode which is widely accepted and used, beginning with novels, then extending to prose, drama, poetry and other areas of the genre, making literature criticism develop into a forward position and continu- ously achieve new breakthroughs. This paper tries to take the contemporary poet Lu Jian' s poetry as an ecology re- search object, and the rational interpretation of the Qing Dynasty drama theorist Li Yu' s "delight" theory as a link point, building a bridge between Li Yu and Lu Jian' s different art creations to further explain Lu Jian' s poetry eco-logical delight.
出处
《洛阳师范学院学报》
2013年第9期23-28,共6页
Journal of Luoyang Normal University
关键词
诗歌生态
诗歌机趣
叙述体
语言策略
讽刺艺术
poetry ecology
poetry delight
narrative
language policy
satirical art