“非遗”保护下花儿表演的实践调研——以第三届大通老爷山花儿会为例

An Empirical Study of the Hua'er Performance under the Protection of the Intangible Cultural Heritage: Taking the Third Laoye-Mountain Hua'er Festival as an Example

花儿会作为一种特殊的民俗文化事项,它引起的社会群体联动效应日益彰显,尤其在当下"非遗"保护的大旗下,花儿会的作用为社会广泛关注,但是,花儿会生态的急剧变化已成为一种不容置疑的事实。本文以2012年6月青海大通举办的第三届老爷山花儿会为例,从政府作为、花儿生态的篡改、歌手和听众的关系、花儿群体的萎缩等方面,论述了"非遗"保护下花儿表演在当下的存活现状以及保护措施。

As a special folk culture item, the Hua＇ er festival has more obvious influence on the social linkage ef- fect, especially under the banner of the Protection of Intangible Cultural Heritage protection. Although the function of Hua＇ er festival has caused wide public concerns, there is no doubt that the its ecology changed rapidly. Taking the Third Laoye-Mountain Hua＇er festival held in June, 2012 as an example, the paper discusses Hua＇er perfor- mance＇s current situation and relevant protective measures in terms of the behaviors of government, distortion of the ecology, and relationship between singers and audience against the background of safeguarding intangible cul- tural heritage.