论《二十四诗品》的体道诗境

Poetic Realm of Experiencing the Tao in The Twenty-four Poetic Styles

司空图《二十四诗品》描绘了超凡脱俗、浑然一体的道境。从道的境界描述、创作主体的超逸心性、诗境的道性展现、诗境的"全美"创作四方面可以透视《诗品》的体道诗境,展现了司空图以体道为基的诗歌审美思想,勾勒出《诗品》道境———心性———诗境的路线,以及如何实现诗境与道境的融合,揭示了中国古代独特的以心为体悟之基的道家诗论特色。

In The Twenty-four Styles of Poetry, Sikong Tu predicted an otherworldly and integrated Taoist realm. He expressed his theory of poetic aesthetics based on Taoist experience and his realm of experiencing Taoism with a description of Taoist realm, the subject＇ s transcendent mind, Taoist exhibition and ＂perfect＂ creation of po- etic realm. Meanwhile, the work drew an outline of the Taoist realm--mind--poetic line and elaborated how to in- tegrate poetic realm with Taoist realm, which reveals the characteristic of Chinese mind-based Taoist poetics in ancient times.