《二十四诗品》与庄子哲学

The Twenty-four Poetic Styles and Zhuangzi’s Philosophy

《二十四诗品》作为一部中国古代论诗、品诗的诗学著作,多处运用传统道家哲学意象与哲学概念建构其诗歌美学。比照《二十四诗品》与《庄子》的关键字,可以得到两组相近的哲学美学概念,即以"风"与"人"为主的原始意象和以"真"与"道"为主的哲学概念。《二十四诗品》吸纳与继承庄子所提倡的因循自然、万物齐一的道家哲学观,从而建立起来旨在追求自然、崇尚性情的诗歌美学。

An ancient Chinese poetic work of criticizing and appreciating poetry, The Twenty-four Styles of Poetry developed its poetic aesthetics by applying many traditional Taoist images and concepts. 3 comparison of key words between The Twenty-four Styles of Poetry and Zhuangzi obtained two groups of similar philosophic and aesthet- ic concepts, that is, the primitive images centered by ＂wind＂ and ＂men＂ and the philosophic concepts centered by ＂trueness＂ and ＂Tao＂. As a result, it was by absorbing and succeeding Zhuangzi＇ s Taoist philosophic view of fol- lowing nature and everything sharing the origin that The Twenty-four Styles of Poetry established its poetic aesthetics of seeking nature and advocating character.