摘要
谢灵运隐居在始宁庄园著《山居赋》以记载植物之美。他提出"贞观厥美"的观物方法,即以一种中立不倚的方法来观山水之"正",以体察万物之"真"。他在山居中长期细致地观察植物,极物之形、尽物之性、感物之情,写出植物的美趣、生机。谢灵运将山中植物纳入审美欣趣之中,使其具有一种文人气息;另一方面谢灵运描摹植物的自然清新之美,以此体现植物的自然美,与两汉园林的植物之美有质的区别。
Xie Lingyun secluded Shining Manor House and wrote Shanju Fu to document the beauty of flora. He proposed the idea of ＂Zhen Guan Jue Mei＂ as a neutral way to observe the authenticity of natural landscapes. Xie Lingyun observed various plants during his seclusion in Shining Manor House. He documented the beauty and vitality of flora in Shanju Fu His appreciation of the beauty of flora in the mountains was characterized with literati style. And his description of the beauty of nature illustrated the difference between natural plants and garden plants in Eastern Han Dynasty and Western Han Dynasty.
出处
《风景园林》
2013年第3期121-124,共4页
Landscape Architecture
关键词
风景园林
园林植物
园林美学
中国园林
谢灵运
山居赋
Landscape Architecture
Garden Plants
Garden Aesthetic
Chinese Landscape Architecture
Xie Lingyun
Shanju Fu
