大江健三郎小说的反讽叙事

A Study On Kenzaburo Oe 's Ironic Narration

反讽是大江健三郎小说叙事的显著话语特征。大江健三郎在小说中通过不可靠叙述者的设置、元小说技法来形成叙述间距,从而达到强烈的反讽叙事效果。反讽是他使文本充满张力,深化小说主题的策略之一。大江小说的反讽叙事不仅仅停留在小说中悖论要素的设置上,而且还体现在他对"事实与虚构"这一小说本体内容的认识上。在这个意义上,反讽叙事体现了大江小说的批判精神,展现了他对小说形式孜孜不倦的追求。

Irony is the significant characteristics of the narration in Kenzaburo Oe＇s novels. Kenzaburo Oe form the spacing in the novel through the unreliable narrator settings, metafiction techniques in order to achieve strong ironic narrative effect. It is one of the strategies to make the text full of tension and deepen the theme. Kenzaburo Oe＇s ironic narration stays not only in the setting of paradox elements in the novel, but also is reflected on his ontology content understanding about＂ fact and fiction＂. In this sense, ironic narration embodies the criticism spirit of Kenzaburo Oe, and shows his diligently pursuit to the form of novel.