摘要
书法艺术创作不是简单的技法表现,而更应该是书家的意念、学识、性情以及作品表现出来的形态.创作前的意识、理念、审美取向决定了作品的品味,创作中的学识、才情的自然流露决定了作品的内涵,创作后作品表现出来的形态决定了作品审美价值.文中通过理论分析法、实践调研法、比较分析法来梳理相关的古代书法理论,领略书写者的学养,探寻书法作品所表现出来的深层内涵,认为书家的意、识、情、态、决定书法作品的品味.
The creation of calligraphy is not a simple expression of writing skills,but the reflection of calligraphers’ ideas,knowledge temperament and the forms of their works.Calligraphers’ consciousness,ideas and aesthetic orientation before writing decide the taste of their handwriting.Their knowledge and talent decide the connotation of the handwriting works.The forms of the handwriting works decides the aesthetic value of the writing works.The paper tries to classify the interrelated ancient writing theories by using theoretical analysis investigation and comparative analysis,appreciating the calligraphers’ learning and cultivations and exploring the deep meanings of the handwrting works.The conclusion is that calligraphers’ ideas,knowledge,temperament and the forms of their works decide the tastes of their handwriting works.
出处
《西安工业大学学报》
CAS
2013年第3期242-247,共6页
Journal of Xi’an Technological University
关键词
书法
创作
意
识
情
态
handwriting
creation
meaning
knowledge
affection appearance