摘要
南音"四管全"、民乐四重奏以及欧洲室内乐四重奏等重奏形式,同样都以四件乐器演奏,其三者之间存在着某种内在联系和可比性。通过对南音"四管全"及欧洲室内乐四重奏由表及里的深入思考,试图从上述三者外在形态到音乐本体,对深层次同异关系及其文化意涵作初步探讨。
"Siguanquan (four musical instruments are complete, 四管全)" of Nanyin (南音), folk music quartet and European chamber music quartet, all play music with four instruments. There are some kinds of internal relations and comparability among them.By reflecting on "siguanquan" of Nanyin and European chamber music quartet, the article attempts to discuss the relationship of deep-seated similarities and differences and their cultural implications, from the external form to music noumenon.
出处
《泉州师范学院学报》
2013年第3期87-92,共6页
Journal of Quanzhou Normal University