摘要
以北岛为代表的朦胧诗派诗歌为上世纪80年代的文学增添了独特的思考和情感,北岛本人对于文学的理解、对于时代的反思也是当时的一个高峰。人们惯常从"政治"的观点对他进行解读,其实他对人、对世界、对历史、对文学的思考更是令人钦佩的。他对"暴力"以及历史虚无和自由概念发自内心颇具个性的忏悔则是当时国内短暂形成的文学公共领域重要的话题组成。
Hazy Poetry represented by Beidao adds a unique thinking and emotion to the literature in the 1980s.Beidao’s understanding of literature and introspection of era is also at a peak.People used to study him based on the "political" standard.However,he was actually great in the study of people,world,history and literature.His confession on the concept of "violence",historical nihility and freedom had been an important subject of domestic literary public sphere.
出处
《乐山师范学院学报》
2013年第6期21-25,共5页
Journal of Leshan Normal University
基金
重庆市社科规划项目"中国新诗的‘公共性’研究"(2012YBWX087)
项目负责人:向天渊