摘要
文章以"2011年春节联欢晚会"与"第九届全国少数民族传统体育运动会开、闭幕式"为个案,结合文学人类学对"表述问题"的讨论,在具体阐释的基础上,试图探讨国家作为"春晚"与"全国少数民族传统体育运动会"的主导演是如何在现实基础上构建表演,并通过媒介的宣传与鼓动来强化国人对表演之现实的认同的。
Based on the cases of "2011 spring festival gala" and "the open and the close ceremony of the ninth national minority traditional sports meeting" and combined to literary anthropology on "problem of expression",this article tries to discuss that how the nation,as the main director of "spring festival gala" and "national minority traditional sports meeting",constructs the performances on the basis of the reality and strengthens the people’s identity to performance reality through the public propaganda.
出处
《重庆文理学院学报(社会科学版)》
2013年第4期33-35,共3页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
关键词
国家叙事
民族认同
文本世界仪式化
文学人类学
national narration
national identity
text world ritualization
literary anthropology