摘要
从写实主义到现实主义,标示着中国新美术建设的在语言形式维度和审美精神维度,全面超越古典形态的整体进程。现实主义始终与20世纪中国美术的审美创作上与时代精神相联系。尤其到了新中国,现实主义始终与新中国美术主体精神相符合,这也是新中国美术史的必然选择。现实主义是包容和开放的体系,有辉煌的历史,当下仍有强劲的生命力,不断发展的社会现实会提供给艺术创作以新的源泉,为艺术家提供新的灵感。现实主义是不会消亡的,应将其发扬光大!
From realism to realism,marking language in China new art forms of dimensions and aesthetic spirit dimensions,full beyond the classical form of the overall process.Realism is always on the aesthetic creations of 20th century Chinese art associated with the spirit of the times.Particular to the new China was founded,always consistent with the new Chinese art spirit of realism,also a new necessary choice of Chinese art history.Realism is inclusive and open systems,have a brilliant history,now has strong vitality,as evolving social realities,is provided to the source of artistic creation to the new,providing new inspiration for artists,realism is not dying,should be carried forward in the new era!
出处
《南京艺术学院学报(美术与设计)》
北大核心
2013年第4期78-81,172,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design