《归去来兮辞》隐逸情结的文图置换

Embodiment of the Recluse Complex of Gui Qu Lai Xi Ci in the Transformation from Literary Descriptions to Pictorial Descriptions

《归去来兮辞》表现了陶渊明的隐逸理想,体现了古代文人隐逸于朝市中的入世精神与隐逸于山林中的出世精神。《归去来兮辞》深刻的隐逸情结引发了后世诸多文人的精神共鸣,其图景式描绘契合于图像符号的表现,因此出现了诸多图像作品对《归去来兮辞》的模仿与再创造。在从《归去来兮辞》到图像作品的文图置换性创作中,古代隐逸实践中的入世精神与出世精神化生出形态各异的可视图景。

Gui Qu Lai Xi Ci mirrors Tao Yuanming＇s recluse idea, and embodies the mundane spirit of the ancient intellectuals living in the cities as a recluse and their supramundane spirit living in mountains and forests. The recluse complex of Gui Qu Lai Xi Ci has in-duced many echoes from later generations of intellectuals, including some pictorial descriptions with the Similar themes. In the transfor-mation from literary descriptions to pictorial descriptions, there have appeared various visual works embodying both the supramundane spirit and the mundane spirit of the ancient recluse.