胡仁·乌力格尔的“创造性叛逆”探析——以琶杰说唱的《武松景阳冈打虎》的故事为例

On the "Creative Treachery "of "Huurin Ulger"——With Wusong Beat Tiger on Hill Jingyang Talked and Sung by Pajie as an Example

蒙古说书艺术胡仁·乌力格尔是蒙古族口头文化遗产中的一朵奇葩。在两百多年的发展进程中,胡仁·乌力格尔以其独特的艺术魅力吸引着众多蒙古族听众,在一定程度上成为广大农牧民群众重要的精神食粮。胡仁·乌力格尔主要讲述汉族历史演义故事,但胡尔齐不是完全按照汉文底本(或蒙译本)的故事进行说唱,而是对其进行或多或少的改写,即有意识或无意识地进行"创造性叛逆"。

The Mongolian talking-singing art ＂ Huurin ulger＂ is a miracle of Mongolian oral cultural heritage.Huurin Ulger with its unique artistic charm has attracted many Mongolian listeners for hundreds of years of development and become the nourishment for the mind of many Mongolian people to some degree.＂ Huurin Ulger＂ mainly narrates Han historical stories,but it is not only the talking-singing according to Han version or Mongolian translated version.It makes some changes about the stories more or less,and in other words,it provides a form of ＂ creative treachery＂ consciously or unconsciously.This paper will take the story of Pajie＇s Huurin Ulger Wusong Beat Tiger on Hill Jingyang as an example to discuss the ＂ creative treachery ＂ of ＂ Huurin Ulger＂.