摘要
对"物色"的内涵,学界争议较大,结合南朝和《文心雕龙》对"物色"的使用来看,"物色"不仅指自然景物的声色状貌,也包含着其所承载的悲欢之情。一些学者对《物色》次序错乱的看法缺少充分依据,从文学创作的要素看,《时序》篇论及时代变迁、社会现实对作品的影响,《物色》论自然景物对作品的影响,两者共论世界与作品的关系,是密不可分的整体。
Scholars generally have different views on the connotation of "wu se".In combination with the use of "wu se" in the Southern Dynasties and its use in Wen Xin Diao Long,"wu se" not only refers to the outer form of natural scenery,but also contains the feeling of joys and sorrows carried by these external objects.Views on the disorder of Wu Se lack sufficient evidence.From the perspective of the elements of the literature creation,Shi Xu concerns the impact of the social reality of the works,and Wu Se is about the function of natural scenery on works.Because both of the two discuss the relationship between the world and works,they are inextricably linked as a whole.
出处
《许昌学院学报》
CAS
2013年第3期13-16,共4页
Journal of Xuchang University
关键词
物色
自然景物
声色状貌
情感内涵
Wu Se
natural scenery
outer form
emotional connotation