摘要
新时期以来,戏曲艺术经历了一个从全面复苏到陷入危机的陡转。作为应对,戏曲艺术界提出"振兴"的口号,而戏曲理论界则着力于构建现代化的民族戏曲美学体系,以辨明戏曲艺术的发展方向。新时期戏曲美学体系的构建对戏曲艺术的发展起着不可估量的推动之功。新时期戏曲美学体系的建构初成体系,但仍不完善,尤其是在对具体艺术实践的指导上,需要继续探索。
In recent thirty years, Chinese classical opera art experienced a full recovery from the steep turn into a crisis. In response to the crisis, we put forward "the slogan of revitalization", and drama theory focused on building the modern national drama aesthetics system to discern the development direction of the drama art. In recent thirty years, drama aesthetics system construction is one kind of mission which has the meaning of painstaking qualities,and to the development of the Chinese classical opera art plays an inestimable work to promote the aesthetic system construction. Based on this, in this paper, drama aesthetics construction system was studied, and that newperiod drama aesthetics system at the beginning of the construction of a system are still not perfect, especially in the concrete art practice instruction, which needs our continual exploring.
出处
《新疆艺术学院学报》
2013年第2期60-64,共5页
Journal of Xinjiang Arts University
关键词
戏曲
美学体系
危机与振兴
戏剧观
剧诗说
Chinese classical opera
Aesthetic system
Crisis and the revitalization
Drama view
Drama poem theory