从“跨艺·舞动无界”看中国舞蹈创作的后现代文化时差与文化时态

View of Postmodern Cultural Differences of Ages and Cultural Reality in Chinese Dance Creation from Artcross /Dancecross

由于缺乏对西方社会文化根源的认知,我们对西方现代舞蹈所建立起来的认知还是比较笼统和片面。我们在大量运用现代舞编舞技法创作中国舞的同时,却未关注和理解到西方后现代艺术观念的出现与传播,这也成为"跨艺·舞动无界"项目中呈现出的最大的文化时差。在中国近现代历史进程中,文化上对外的效仿和对内的坚持和纠结演变成一种混合的文化时态,舞蹈领域的"现代"、"当代"、"后现代"几乎全是混杂不清的概念。实际上无论是"现代舞"还是"当代舞",两者都同时包含了中国与西方的文化成分,都是现当代时态里中国舞蹈的"文化混合体"。因此,一种坦然看到时差,自信面对时态的文化态度亟待建立。"后现代"已经包含了对世界单一秩序与标准的质疑与抗拒,在一定程度上也意味着全球的多样化重塑,同样也意味着中国舞蹈在这个多样化重塑进程中的发展与生存空间。

Artcross /Dancecross provides a direct cultural reference to dance on a synchronic stage,reflecting the cultural differences of times between Chinese dance creation and western counterpart as well as a mixture of cultural reality where Chinese dance creation remains. Short of knowledge of the root from which western culture derived,we have only an incomplete picture of western modern dance. While applying a great amount of composing techniques of modern dance to creating Chinese dance,we concern and understand less about the advent and spread of notions and concepts on postmodern arts in western countries,resulting in considerable cultural differences in the project of Dancecross. From perspective of Chinese modern history,imitation of foreign cultures coupled with insistence of native culture has created a mixed cultural reality. Concepts such as＂modern＂,＂contemporary＂and＂postmodern＂are mixed and confusing in the field of dance. In fact,be it ＂modern＂or ＂contemporary＂,both contains Chinese and western cultural elements. They both are a ＂cultural mixture＂of Chinese dance in contemporary period. Thus,it is urgent to build an attitude of tolerance towards such cultural differences and cultural reality. Postmodernism has already involved questioning and resisting to a single order and standard everywhere in the world. To a certain extent,it means a diversified re-construction worldwide. It may also mean the possibility of survival and development of Chinese dance in such diversified world of re-creation.