中国舞蹈创作“体制外”的崛起——后现代主义文艺思潮与中国舞蹈创作探讨

The Rise of Chinese Choreography from "Outside the System": Discussion of postmodernism and Chinese contemporary choreography

近年,后现代主义文艺思潮在中国舞蹈界兴起,社会上出现了一些可贵的、来自"体制外创作"的人文探索。本文将从几个方面对其创作方法进行归纳。其一,"跨艺"或"跨界"的艺术尝试;其二,介入社会身心合一:"仿像"的营造;其三,表导演关系的重新建构:打破"编导中心制";其四,观众与演员关系的变革:"镜像"互动探讨的"多义性"。

In recent years,the rise of Chinese postmodernism dance shows the social humanistic exploration from outside the system ,and attracts international attention. This article attempts to explore Chinese contemporary choreography and post-modernistic phenomenon in four aspects. First,artistic trial in the project of Artcross/Dancecross; second,social involvement through unity of body and mind-creating a simulacrum ＂ ; thirdly,construction of new choreography relationship： breaking the ＂ choreographer centralism＂ ; fourth,the innovation of ＂ interaction ＂ relationship between audiences and dancers： Bahtin’s theory of mirror image.