摘要
"江南舞蹈"的议题一直是江苏舞蹈界同仁们关注的热点之一。本文追溯江南地区舞蹈形态与审美形成的关键历史时期,即以春秋吴越文化为基础的地区艺术类型,在汉代获得更大范围的舞蹈范式扩张,继而在六朝以后经历由南北融汇到个性发展的关键时期,逐渐确立了当代"江南舞蹈"唯美唯细、求雅乐俗的审美特征。本文试以形态特征为切入点,寻求"江南舞蹈"的源与流、昔与今、形与意、情与韵。
"Jiangnan dance"has been one of the hotspot issues about which Jiangsu dance colleagues are concerned. This paper traces the linchpin periods of Jiangnan dance body language. During the Spring and Autumn Period,Wu Yue culture was the base of the regional Jiangnan dance type. The model dance postures were expanded in the Han Dynasty. Then in the Six Dynasties,with the cultural fusion from north to south,the Jiangnan dance gradually developed and established the aesthetic features of beautiful and fine, elegant and popular. This paper on the"dance body language",seeks the origin and development,the past and present,the form and meaning,the affection and rhyme of Jiangnan dance.
出处
《北京舞蹈学院学报》
北大核心
2013年第4期49-53,共5页
Journal of Beijing Dance Academy
关键词
江南地区
舞蹈形态
审美特征
Jiangnan dance
dance shape
aesthetic character