摘要
生态文化的建设应从对各种中心主义的争论中转向对人自身的反思中来。深层生态学提出的"生态大我"概念是一个很好的尝试,"生态大我"的本质是自我认同模式的变革。中国传统审美范畴"意境"与"中和"很好地体现了"生态大我"的认同模式和精神诉求,丰富了"生态大我"内涵,从而启发生态文化的构建。
The construction of ecological culture should shift its focus from the dispute on various kinds of centralisms to the reflection on humanity itself.Ecological SELF proposed by Deep Ecology is a fine attempt in this direction;the essence of Ecological SELF is the transformation of self-identification mode.Chinese traditional aesthetic categories ＂state of mind＂ and ＂harmony＂ can fully embody the identification and spirituality,and these two aesthetic categories enrich the connotation of Ecological SELF and thus enlighten the construction of ecological culture.
出处
《泰山学院学报》
2013年第4期31-38,共8页
Journal of Taishan University
基金
首都经济贸易大学校级科研项目(2013XJQ018)
关键词
生态大我
审美范畴
意境
中和
Ecological SELF
aesthetic categories
＂state of mind＂
＂harmony＂
