黔东南苗族图案中意象色彩的本体论研究

Miao of Qian Dongnan Design Image Color in Ontology Research

将黔东南苗族装饰图案的色彩作为独立的个体,放置在视觉文化的语境中可以看出,向心、向善和向美是其重要的关键词。根据绘画色彩理论,黔东南的苗族装饰图案中的色彩可划分为意象、抽象和具象,但是这并非装饰化了的意象色彩,而是立足于黔东南本土文化情境中的美学观照,是集体规约式的宗教审美要求,也是向心、向善和向美的逐渐去装饰化的外化形式。

The colours of the miao decorative pattern as an independent individual, placed in the context of the visual culture can be seen that to heart and to the goodness and the beauty is its important keywords. According to the theory of painting color, province of miao decorative pattern of colour can be divided into image, abstract and representational, but＂ this is not a decoration of image color, but the situation in aesthetic view, based on the province native culture is the collective religious aesthetic requirements specification type, also is to the heart, to the good and the beauty gradually to externalization of decoration form.