黄梅戏舞台剧《徽州女人》音乐本体的创新

The Innovation of Huangmei Opera “Huizhou Woman” Music

黄梅戏《徽州女人》以其鲜明的音乐特色占据了戏曲舞台的重要位置,它在沿袭传统黄梅戏基本特征的同时,音乐本体又有了适当的创新,即调式使用有了延伸,音域运用进行了扩展,调高有了新的设定。这些创新虽然引起了"像与不像"之争,但在黄梅戏音乐发展道路上确实具有一定的探索意义,值得肯定。

Huangmei Opera ＂Huizhou woman＂ occupy an important place in the opera stage with its distinctive characteristics of music, It follows the traditional Huangmei Opera basic music features at the same time, the music ontology and the appropriate innovation, namely the extension mode, using a range of modulation mode, the new is extended, raised a new set. Although these innovations caused ＂and not as＂ struggle, but it does have in road Huangmei opera development certain exploration significance, worth.