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西方古代剧场建筑设计中的声学因素(四)——18,19世纪法国“启蒙时期”剧场设计中的声学因素

Acoustic Elements of Western Ancient Theater Architection Design(Ⅳ) ——Acoustic Elements in Theater Design of 18th and 19th Century French “Enlightenment Period”
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摘要 介绍了法国"启蒙时期"的建筑思潮,讲述了"新古典主义"时期法国剧场建筑的特点,并对法国波尔多大剧院、贝桑松剧场以及鲁保对景象厅剧场的设计方案进行了详细说明。在剧场建筑设计中"新古典主义"与"巴洛克"两种风格的相互批判又相互渗透中,汇成了折中的风格,在建筑中最明显地表现在法国巴黎国家大剧院的建筑上。这是一座在法国引以为荣的剧场建筑,详细介绍了该建筑的规模、布局及特点,该建筑充分地显示了"科学和民主"的鲜明倾向。 Architecture Trends characteristics of French "enlightenment period" is introduced. The French theater architectural features in "Neoclassicism" period are described, and the design schemes of Grand Theater in France, Besaneon Theater and Scene Theater are described in detail. The two styles of "Neoclassicism" and "Baroque" are mutually critical and mutually penetration in theater architectural design, and converge into eclectic style, which are expressed clearly in the architecture of National Grand Theater in Paris. This is proud theater architecture in France, the scale, layout and characteristics are introduced in detail, which adequately shows the distinctive tendencies of "science and democracy".
作者 曹孝振
出处 《电声技术》 2013年第8期1-5,共5页 Audio Engineering
关键词 新古典主义 实证主义 理性批判 巴黎国家歌剧院 Neoclassicism positivism rational criticism Paris National Opera
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参考文献1

  • 1白瑞纳克.音乐厅·歌剧院的音质[M].王季卿,戴根华,项端祈,等,译.上海:上海同济大学出版社,2001.

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