摘要
中上健次是日本魔幻现实主义的代表作家,"部落民"(贱民)的家庭背景以及家族矛盾、血缘关系等构成了他的文学之根,他用魔幻现实主义叙事建构了现实与虚幻的"路地"文学;在其代表作《千年的愉悦》中,中上健次采用神话与梦境、暴力与性等"边缘化"、"个性化"的叙事伦理,抗衡与消解了历史理性与宏大叙事的传统权威。
Kenji Nakagami was a representative of the Japanese magic realism writer. "Tribal people" (etas) family background and family contradictions and blood relationship constituting the root of his literary, he used his magic realism narrative constructed the "way" of reality and fantasy literature; In his masterpiece "the one thousand years of joy," upper nutrilite times uses the myth and dreams, violence and sex, "marginalization" and "personalization" of narrative ethics, competence and digestion of traditional historical rationality and the grand narrative authority.
出处
《江南大学学报(人文社会科学版)》
2013年第4期124-128,共5页
Journal of Jiangnan University:Humanities & Social Sciences Edition
基金
国家社科基金重点项目<"世界文学史新建构"的中国化阐释>(12AZD090)
教育部人文社会科学研究规划基金项目<世界文学重构与中国话语创建>(12YJA751011)