士人美学论要

A Proposition of Scholar's Aesthetics

魏晋时期,与"俗"对立的"雅"范畴的出现,意味着士人身份的确立与审美天地的形成;北宋的苏轼可以说是士人美学人格化的代表,他的"寓意于物"与"平淡"则是士人美学的基本原则;而体现为"逸品"的元明清的文人画与体现"中隐"美学思想的明清江南园林,则可以说是士人美学最典型的审美创造。

In Wei and Jin Dynasties, the concept of ＂elegant＂ which opposes with the concept of ＂popular＂ is born. And it means that the status of scholar is established and the space of aesthetics forms. Su Shi, a scholar in Song Dynasty, is the representative of personify of scholar＇s aesthetics. Su Shi＇s ＂combining meaning with matter＂ and ＂flat＂ are the basic norm of scholar＇s aesthetics. The scholar＇s fine art works in Yuan, Ming, Qing Dynasties embody ＂carefree mood＂ and the gardens in Southern of Yangzi River in Ming, Qing Dynasties embody the aesthetics thought of ＂middle and hermit＂ .And they are the best typical aesthetics creation of scholar＇s aesthetics.