论焦循文人悲剧审美的独特性——以扬州所演花部悲剧批评为例

On the Analysis of Jiao Xun Literati Tragedy Aesthetic Uniqueness——Take for the Tragedy Criticism of Yangzhou Floral Example

乾嘉学派扬州代表性人物焦循对扬州所演花部尤其是悲剧的赞扬,体现了文人身份的审美内涵,尤其首次提出花部具有"忠孝节义"的特点,可视为抗衡官方话语的重要策略之一。焦循对花部悲剧的审美,不仅与花部剧作者及其观众所理解的悲剧审美不同,而且同时代文人的悲剧审美差别较大。这与各自不同的身份,以及他们对社会的理解和面对社会压力的反映不同有关,同时体现出焦循文人悲剧审美在扬州剧坛具有开放性、鲜明性和时代性等重要特征。

QianJia School of Yangzhou representative figures Jiao Xun praise floral played of Yangzhou are especially tragic,Literati identity embodies the aesthetic connotation.In particular,first proposed the floral characteristics of ＂devoted,filial,moral integrity,justice＂,can be regarded as one of the important strategy to contend official discourse.Of Jiao Xun on tragedy floral aesthetic,not only with the floral drama of its audience to understand the tragedy aesthetic,and different form the the contemporary literati tragedy aesthetic.This is related to a different identity,as well as their understanding of the social and the face of social pressure reflect.Jiao Xun literati tragedy aesthetic,also embodied in the the Yangzhou dramatic world has an important feature of the open,clear and times.