摘要
作为一个后现代热门概念,双重性指两种对立相反的、处于两极的要素、性质或范畴的共存、并置、对照并结合在某一事物之中的存在状态。戏仿作为对源文本带有反讽、戏谑意图的模仿和转换,是天生地具有双重性特征的体裁。双重性特征在戏仿的词源、戏仿的文本结构、戏仿者对待源文本的态度、戏仿的功能指向方面都得到了鲜明的体现。双重性特征使戏仿突破和超越了传统文艺美学领域中诸多固定、僵化的分类和划界,成为一种典型的"杂种"。
As a post-modern popular concept,ambivalence signifies there are two opposite elements,qualities or categories coexisting,juxtaposing,contrasting and combining in a certain things.As a genre imitating and transposing source text with ironical and joking intention,parody is born with a feature of ambivalence.Ambivalence can be found in the etymology of the term ＂parody＂,texture of parodic works,parodist＇s attitude towards the source texts,the functional orientation of parody and the ideology behind parody.Ambivalence has succeeded in subvert many ancient and calcified classification and delimitation,and emerged,thereby,as a typical hybrid.
出处
《兰州学刊》
CSSCI
2013年第4期85-91,共7页
