摘要
朱光潜在《诗论》中以中国诗歌为研究对象,论述了"谐"的独特艺术效果,创造性地借鉴了席勒美学中"游戏冲动"与《论素朴的诗与感伤的诗》的观点。席勒的游戏冲动理论背后有"审美王国"这一宏大的政治设想,朱光潜诗学中的文字游戏论则凸显了对诗歌文学性层面的关注;席勒的诗论是一种回归本心抗拒规范的理念,而朱光潜的"谐"突出道德伦理的诉求。朱光潜的"谐趣"说是一种植根于中国自身文化状况的儒家诗论,与他后期的精神实践论美学具有承接关系。
Zhu Guangqian discusses the unique artistic effects of "Humor" in Chinese poetry,creatively borrowing some views from the "Game Impulse" and On the simple poetry and sentimental Poems in Schiller's aesthetics.While the object of Schiller's Game Impulse is the Political Ideal about Aesthetical Nation,Zhu Guangqian's Language Game shows his attention to the literariness of poetry.While the Schiller's Poetics is an idea about returning to the nature,Zhu Guangqian's Humor pays more attention to the appeal about moral ethics.Zhu Guangqian's Humor is the Confucian poetics which rooted in Chinese cultural condition,related to his late Spirit Practical Aesthetic.
出处
《东莞理工学院学报》
2013年第4期41-44,共4页
Journal of Dongguan University of Technology
关键词
朱光潜
席勒
谐
游戏
感伤
Zhu Guangqian
Schiller
humor
game
sentimentality