《淮南子》形神论研究

Research on “Appearance” and “Expression” of Huainanzi

"形"与"神"是中国画论史上重要的对立统一的概念,《淮南子》里提出的"形神论"在中国画论关于形神问题的形成和发展道路上起到了先驱和拓荒者的作用,有了这一基础,才为魏晋以后比较系统的美术理论的产生提供了可能性;首先将《淮南子》"形神论"与先秦及后代相关思想进行纵向对比研究,其次对《淮南子》中涉及"形神论"的具体章节进行分析和探讨,试图展现其在画论史中的地位和作用,开掘出其更多更深层次的艺术理论价值。

“Appearance” and “Expression” is the concept of the opposition and unification in the theory of Chinese painting .“Appearance”and“Expression”plays the pioneer role in Chinese painting theory about its for-mation and development .On this basis ,they can offer the possibility for the generation of the Wei and Jin Dynasty art theory .This paper does the longitudinal comparative study on the Pre-Qin Dynasty and the thoughts of fol-lowing generations and analyses specific sections involved in the“Appearance”and“Expression”in Huainanzi ,try-ing to show Huainanzi＇s status and role in the history of painting theory and dig out deeper art theoretical value of Huainanzi .