摘要
《哈姆雷特》和《麦克白》均改编自历史传说,其中本来没有疯狂因素。莎士比亚为其作品注入疯狂元素,使其成为了表现人物和推动剧情的重要手段。历代批评家对这两部剧中疯狂现象均有评论。对于哈姆雷特是"装疯"还是"真疯",批评家们各持己见。奥菲利亚的疯癫令人心碎,麦克白夫人的疯癫源于良心挣扎,麦克白的心理状态也具有歇斯底里的表征。基于此,以丰富的史料调研还原了作品诞生时期的时代背景,以期从新历史主义的角度揭示了疯狂元素在这两部剧中的作用。
Hamlet and Macbeth are adapted from legend and document, in which no signs of madness are mentioned. However, Shakespeare added madness into his tragedies so as to make it an important factor in shaping characters and enhancing conflicts. The essay demonstrates various criticisms made on the madness of the four characters. Critics disagreed on whether Hamlet＇s madness is pretended or genuine. Ophelia＇s madness pricks the tenderest part of the human heart. Mrs. Macbeth＇s madness is the consequence of the inflicted conscience. Macbeth＇s psych, when analyzed by the psychiatric approach, also has the symptoms of hysteria. The investi- gation of the historical papers reveals the background when the two plays were accomplished and analyzes the role of madness in the two plays from the perspective of new historicism.
出处
《黑龙江教育学院学报》
2013年第8期131-134,共4页
Journal of Heilongjiang College of Education
基金
北京信息科技大学学校科研基金项目资助(1335028)
