摘要
嫏德在《子夜追踪》里构建了女性主宰一切的玄异世界,彻底颠覆了女权主义的传统观念。她一方面渲染"女性"的异化描写,把男性边缘化、局外化和隐身化,把争取性别平等斗争中反对的东西作为女性的追求目标;另一方面,在弱化男性功能及其重要性的同时,使女性"人格"在追求狼性法则的过程中越来越归化入男性范畴。嫏德把女同性恋者双性化,使"女性"的异化和"人格"的归化之路在后现代小说领域里焕发出奇彩,同时也反映了当代女权主义者在争取女性人权斗争中的窘境和困惑。
In The Midnight ly reverses the conventional Hunt, L.L. Raand fictionalizes a female-dominated ideas of feminism. On the one hand, she highlights world of Werewolves and complete- the alienation of feminine gender, and makes males marginalized, outside and invisible, pursuing something women have strongly opposed in their struggle for gender equality; on the other hand, while downgrading the male function and importance, she virilizes the female characters of the novel in their practice of wolf laws. Her depiction of lesbians as bisexuals lays ground for "female gender" alienation and "masculine personality" shift in post-modern fiction, and brings the dilemma and perplexes of contemporary feminist goals in their struggle for human rights.
出处
《山东外语教学》
北大核心
2013年第4期74-78,共5页
Shandong Foreign Language Teaching
基金
2012年国家社科后期资助项目"非裔美国文学史(1619-2010)"(项目编号:12FWW002)的阶段性研究成果之一
关键词
嫏德
《子夜追踪》
女权主义
异化
归化
Raand
The Midnight Hunt
feminism
alienation
naturalization
a solid to light