红歌中的客家民歌音调——以赣南、闽西红歌创作为例

The Red Song of Hakka Folk Song Tone——Taking the Compositon of Red Songs in Southern Jiangxi and Western Fujian as an Examples

产生于革命年代的红歌,深深扎根于群众,不仅在历史上起到了极大的鼓励作用,在今天仍闪烁着艺术、文化价值。赣南、闽西是红色革命的摇篮,也是客家人的聚居地,这里的红歌创作与客家民歌音调联系紧密。联系红歌创作的历史语境对具体作品进行分析,能够区分出客家民歌音调存在于苏区红歌中的三种形式。

Red songs was produced in revolutionary age and deeply spread in the masses, which not only encouraged lots of people in the past, but also have the values of art and culture in the present. The South of Jiangxi Province and the West of Fujian Province are the birthplaces of the Red Revolution and also inhabited by Hakka people. Therefore the creation of red songs here is closely linked to the tones of Hakka Folk. The paper had conclu- ded that the tones of Hakka Folk have three different types in red songs of the Central Soviet Area through the analysis from perspective of the creation of historical and individual text in red songs.