摘要
莫言小说《蛙》一方面延续了他对生命的恶、现实的丑的思考,另一方面,通过叙述姑姑万心、"我"用艺术来赎罪的失败,以及文学/艺术在残酷现实面前的苍白无力,否定了文学/艺术的拯救功能,褪去了文学艺术的神圣光环,流露出作者对文学艺术、对生命、对现实的深深失望,表达了一种宿命式的悲剧人生观。
On the one hand, Mo Yan＇s novel The Frog continues the thinking of evil, ugly reality of life. On the other hand, by showing the fact that my aunt and I fail to make a redemption by means of art, and revealing the paleness of literature/art in front of the cruel reality, it denies the fact that literature/art can save mankind, fades the halo of literature/art, reveals the author＇s great disappointment to literature/art and reality, and expresses the deterministic outlook on life.
出处
《常熟理工学院学报》
2013年第5期91-95,共5页
Journal of Changshu Institute of Technology
关键词
当代小说
莫言
《蛙》
赎罪
the contemporary literature
MoYan
The Frog
redemption
