《乐府传声》歌唱理论的当代解读

Contemporary Interpretation of Singing Theory of Yuefu Chuansheng

《乐府传声》从"字"、"腔"、"板"、"情"四者入手,详细探讨了戏曲演唱中"五音"、"四呼"、"四声唱法"、"收声"和"归韵"等论字问题。又对论"腔"、论"板"、曲情表达进行了论述。这是一部非常值得研读的古代声乐论著,就学术价值而言,从燕代南之庵的《唱论》到清末的《闲情偶寄》都未有出其右者。本文节选其中"曲义曲折、起调断腔、顿挫轻重、徐疾句韵"等关键论述,结合现当代民族声乐的演唱实践,对其进行了解读,认为应该继承这一宝贵文化遗产,对演唱的字腔情韵等作深入研究。

＂word＂ Yuefu Chuansheng（ Transmission from a Musical Institution of Yuefu ） by Xu Dachun, from the four aspects of ＂cavity＂, ＂plate＂, and ＂affection＂, discusses in detail the word problems of ＂five notes＂, ＂Si-hu＂, ＂four tones＂, ＂sound＂ and ＂rhyme＂ in the opera concert, and also the expressions of ＂cavity＂, ＂plate＂, and song-feelings, The ancient vocal music work is worth studying. In terms of the academic value, from Changlun （ On Singing） by Nan Zhiyan in Yan Period to Xianqingouji （Ease and Idle Feeling in Life） in the end of Qing Yuefu Chuansheng. This paper discusses and interpretes the Dynas key points of ＂song twists and turns, ty none could parallel lift-off cavity, setback weight, speedy rhyme＂ in the excerpt, combined with the contemporary national vocal singing practice in order to inherit this precious cultural heritage and make an exhaustive study of the word cavity and rhyme with affection and charm.