摘要
对11部莎剧中"人生"隐喻的研究发现,常规隐喻与新奇隐喻构成规约化程度从高至低的连续体。莎剧对"人生"在精神方面的属性特征进行了显著拓展,而对位移类隐喻的创新较少。莎剧通过扩展、细化、质疑、混合、泛化等方式在常规隐喻的基础上创造新奇隐喻,并在语言层面利用明喻、暗喻等显性修辞手段体现概念隐喻的作用。发掘莎剧中隐喻的创新方式,对深入认识莎剧的语言艺术及思想内涵,探寻概念隐喻在人类认知及文学创作中的作用具有重要意义。
Conventional and novel metaphors of "LIFE" in Shakespeare' s eleven plays are revealed to be a continuum according to their different levels of conventionality. The spiritual nature of "LIFE" is especially reinforced in the plays while the space aspects are not explored as much. Innovation of "LIFE" metaphors is necessarily based on all-pervasive human experiences within the system of conceptual metaphors via extension, elaboration, questioning, combination and generalization. Rhetoric devices such as similes and metaphors are generally employed as the salient formal markers of conceptual metaphors in language. The research presents important significance to interpret linguistic art and ideological connotation and to explore the role of conceptual metaphors in human cognition and literal writing.
出处
《河南科技大学学报(社会科学版)》
2013年第4期66-70,共5页
Journal of Henan University of Science & Technology(Social science)
基金
国家社科基金项目(12BYY130)
广西师范大学教师成长基金项目(JS2012005)
关键词
莎剧
新奇隐喻
隐喻创新
“人生”概念
Shakespeare
novel metaphor
innovation of metaphor
concept of "LIFE"