摘要
20世纪90年代,文学已经成为一门产业而迅速地市场化。初登文坛的年轻作家们,为了能够顺利开始自己的文学创作道路,于是在自己同代人中间寻找归属感和群体意识,以群体的姿态亮相。同时,为了引起批评界和公众的更多关注,有些作家有意或无意、主动或被动地接受并配合出版社为市场营销目的而进行的包装和炒作。因此,90年代的德语文学圈,特别是小说圈中,出现了以各种归类法划分出的不同作家群,成为一个独特的现象。
In the 1990s, literature turned into an industry and was rapidly commercialized. In order to successfully open up their Own way of writing, the young authors, who just made their debut in the literature world, decided to search for the sense of belonging and the group consciousness from their peers and began to show up in groups. Facing the marketing and sales strategies proposed by the publishing houses, some of these authors, intentionally or unintentionally, actively or passively, gave their approval, or even collaboration, so that more attention from the critics and public could be paid to them. Therefore, different author groups appeared in the 90s' German literature, especially those in novels. These groups were classified according to various categories and became a unique phenomenon.
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2013年第4期1-7,共7页
Journal of Tongji University:Social Science Edition
基金
国家社科基金重点项目"当代外国文学纪事丛书:1980-2000"(项目编号:06AWW001)