从《写山要法》所提供的视角看近代中日山水画之差异

To see differences of Modern Chinese and Japanese landscape painting from the perspective provided by the “Draw Hill to Act”

《写山要法》的作者是日本明治、大正时期的画家兼地质学家高岛北海,书中提出了山水画应以地质学为基础对景物理性分析,再以中国传统绘画技法加以表现的新思路。这种以中国画的工具和技法作为创作手法,以理性科学思维作为创作理念的模式,正是日本室町时代末、安土桃山与江户时代山水画创作的主要模式。它不仅与中国同时期山水画有着显著区别,也在民国时期对中国海派绘画产生了显著的影响。

The writer of＂Draw Hill to Act＂is Takashima Beihai,a Japan’s Meiji,Taisho-era painter and geologist.In the book,he mentioned his new ideas for landscape drawing that analysis of the landscape should be based on the geology,then to draw them with traditional Chinese painting techniques.It is the main mode of Landscape Painting in the end of Japan’s Muromachi period Azuchi-Momoyama and Edo period by using the tools and techniques of Chinese painting as a creative approach,and rational scientific thinking as the creative philosophy.It is not only has a significant difference with China of landscape painting,but also has a significant impact on the Republic of China on the HaiPai Chinese painting.