历史想象的美学效果——关于《V.》的史料考据问题

Between History and Fiction: Thomas Pynchon’s Literary Reinscription in V.

对欧洲殖民主义的持续关注是托马斯·品钦小说中历史叙事和反殖民话语的重要组成部分。品钦在史料的挖掘、辨析、阐释、借用或移植过程中注入了对殖民主义的反思和批判,其中反映出的历史意识、美学理念和叙事艺术堪称历史小说写作的范例,也为我们切入品钦的写作策略提供了重要线索。本文以《V.》中的史料考据为题,探究品钦的历史想象的美学效果:通过植入式叙述,完成视角的转换,重新想象德意志-西南非的殖民历史,实现了"历史性的关怀"。

The persistent attention to the historical experiences of the Hereto people constitutes an important component of the anti - colonial discourse in Thomas Pynchon＇ s fiction. Underlying Pynchon＇ s exegesis of historical data is a penchant critique of European colonialism in re - imagining the colonial German South - west Africa. The paper explores Pynchon＇ s aesthetics of reinscription concerning the colonial history of Herero people and assesses Pynchon＇ s art of integrating historical representation and literary imagination.