摘要
在西方戏剧发展史上,有着"现代戏剧之父"的挪威剧作家亨利·易卜生是公认的继英国文艺复兴时期的威廉·莎士比亚之后又一位具有世界性影响的戏剧大师。在以往的易卜生研究中,通常过多地关注其"社会问题剧"在思想内容上的价值和意义,较少谈论其在戏剧技巧上对于现代戏剧的独特贡献。而通过西方现代编剧理论家们对于易卜生编剧艺术的剖解,有助于我们了解和认知易卜生对于现代戏剧的开创之功,除了深刻的思想内容之外,还应包括精湛的编剧技巧。
In western drama history, as the father of modern drama, Norway playwright Henrik Ibsen is acknowledged as another internationally influential drama master after William Shakespeare in Renaissance period in Britain. In past Ibsen study, scholars generally paid too much attention to the value and significance of the thought and content in his social problem drama, but discussed little his peculiar contribution to modern drama in the aspect of drama skills. However, the analysis of Ibseng drama art by modern western playwright theorists could help us to understand and rec- ognize his inauguration contribution to modern drama including profound thoughts and exquisite playwright skills.
出处
《艺术百家》
CSSCI
北大核心
2013年第5期112-115,143,共5页
Hundred Schools In Arts
