浅析叶兆言“先锋小说”对理想精神的解构

On the Idealism Deconstruction in Ye Zhaoyan's Vanguard Novels

叶兆言早期作品由于执着于对理想精神的解构和"零度情感"的介入通常被划入"先锋小说"一类。在文学观念上,叶兆言放弃了对宏大叙事和传统历史本真的追寻,颠覆了习惯上小说社会意义的表达和历史真实观的反映,其散乱、破碎、戏谑、反讽、平面化的叙述文本只具有自我指涉的功能。虽然叶兆言先锋小说放逐了小说意义的表达,但他对小说叙述方式和语言形式的大胆探索,为文学的创新和发展提供了新的创作思路和创作向度。毫无疑问,叶兆言综合运用多种叙事技巧,把西方现代艺术大师们的精华融入了本民族特色的内容之中,将读者引进了一个全新的虚构世界。

Ye Zhaoyan＇ s early works fall into the category of vanguard novels for his consistent pursuit of idealism deconstruction and intervention of zero emotion. Having abandoned the macro-narration and search of historical truth in novel writing, Ye narrates the story in a messy, broken, ironic, weird and flat-dimension way, and his novels have the function of self-reference instead of revealing the social sig-nificance. Ye Zhaoyan＇ s exploration in way of narration and language use provides a new approach to no-vel writing. Employing different ways of narration, Ye integrates the essence of western modern arts into our native writing practice, and thus his novels show readers a brand new fiction world.