摘要
汉画像石墓门扉图像是汉画艺术的有机组成部分,它寓于墓葬艺术的大环境中,又具有自身的相对独立性。作为一种以死亡为主题的图像艺术,它不仅具有形式上的艺术价值,而且在内在精神上反映了其驱邪避恶的主旨,强化了阳尊阴卑的思想,推崇"神"的非凡和"力"的威猛,把死亡艺术和汉代人的生死观、信仰观和哲学思想紧密地联系起来。
Door decorations of sculptured stone tomb of Han Dynasty, which resides in the environment of tomb art with relative independence, are an organic composition part of Han drawing arts. As a kind of death- themed image art, in addition to the artistic value in form, it also reflects its purport of exorcising evil spirits and strengthens the thought of dignifying Yang and belittling Yin, paying great attention to the extraordinary a- bility of God and the intrepid strength of power. And it closely combines the art of dying with the view of life and death, concept of faith and philosophical thought of people in Han dynasty.
出处
《阅江学刊》
2013年第4期142-147,共6页
Yuejiang Academic Journal
关键词
汉墓
门扉
画像石
图像
观念
Han tomb
door
sculptured stone
image
concept