沈璟的《论曲》散套与戏曲音律论

Shen Jing's Sanqu Set in On Opera and Tonality Theory

音律论是沈璟戏曲理论的核心内容。沈璟的戏曲音律论是针对因魏良辅改革昆山腔后曲调古调原腔发生变异而提出来的,他在【商调·二郎神】《论曲》散套中,不仅从宏观上提出了严守曲律的主张,还对南北曲的一些具体音律如字声、句式、用韵等作了论述。

Tonality theory is the core content of Shen Jing＇s theory on Chinese opera,which is proposed by Shen in response to Wei Liangfu＇s changes to the original Kunshan accent. In his On Opera ,he not only proposed his advocacy of adhering to the original tune strictly, but made some discussion on some specific sound and tune of southern and northern operas, such as world sound, sentence pattern, rhymes, etc.