摘要
伪满洲国时期的协和剧,是在异态文化语境中产生的独异的戏剧样式。它生存于日伪文化高压与怀柔政策的夹缝中,是伪满统治者渗透殖民意识的文化工具。在协和剧附逆政局与时局的话语表层背后,潜藏着的是滞留在伪满异质环境下的剧作家复杂的精神状态。
It is a distinctive drama style which generated from heterogeneous cultural environment that the concorde drama in the Puppet Manchukuo behaved as. Survived in caught between cultural oppressions and conciliatory policies of the Puppet, the concorde drama became as a cultural tool to penetrate colonial consciousness for rulers of the Puppet. The complex mental status and cultural choices stranded in the heterogeneous environment of the Puppet was hidden in the back of the facial words with what the concorde drama mediated between political situation and the current situation.
出处
《武汉大学学报(人文科学版)》
CSSCI
北大核心
2013年第5期114-120,共7页
Wuhan University Journal (Humanity Sciences)
基金
2011年教育部新世纪优秀人支持计划(NCET-11-0202)
关键词
伪满洲国
协和剧
殖民意识
Puppet Manchukuo
concord drama
colonial consciousness