摘要
江西省黎川县洲湖村的船形古屋此前被学者和媒体解读为"天地会"的秘密联络点,这一说法的主要依据被来自洲湖黄氏家族史、建筑史和地方史的资料一一推翻。多学科的综合分析表明,洲湖古民居是黄氏家族自建、自用的乡土建筑,洲湖"东溪公祠"中的"二龙戏珠"壁画为太平军所绘。洲湖个案证明,乡土建筑研究不能离开乡土社会的基本视野;对"形式"的解读应置于历史的语境中。在各地旅游开发尤其是乡土旅游开发的热潮中,要关注对物质文化基础史实的研究。
This paper is an exploration of how to combine the materials and methods of multiple disciplines,such as history and archaeology,architectural history and art history to interpret the vernacular architecture.The local history materials pointed out that the shipshaped house in Zhouhu villages were constructed by Huang family,had no relevance with the Heaven and Earth Association.From the art history perspective,we argue that it was Taiping rebels who painted the fresco of Two dragons play with a pearl in the backwall of Dongxi ancestor hall.
出处
《清华大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第5期106-118,161,共13页
Journal of Tsinghua University(Philosophy and Social Sciences)