清代太原府剧场功能初探

The Function of Taiyuanfu Theatre in Qing Dynasty

由明入清及有清一代,在太原府特别是康乾时期的新建高峰与道光年间的改建高潮中,人们对戏台布局不断调整。以神庙剧场为主的清代太原府剧场,其"观"的场所有三种,主体是戏台前的空场,少部分剧场设置了看楼或看厅,许多剧场也把山门、直对戏台的殿堂前廊、月台等兼做观剧场所。清代太原府剧场功能的完善,人们有一个逐渐认识并付诸实践的过程,需要演员、社首及纠首为代表的村民以及工匠之间的互动,以及不同区域间的相互交流与影响。

In Ming - qing times and Qing dynasty, especially at the peak of new constructions in the Kang and Qian peri- ods and redevelopment in the Daoguang period, the layout of stage was adjusted constantly. There were three kinds of ＂ view＂ sites in Taiyuanfu theatre which gave priority to the temple theatre in Qing dynasty. The main body was the front open stage. There were a few theatres with balcony or hall for the audience. In many theatres, the entrance hall, the front porch directly op- posite the stage, platform, etc. were set as the viewing places. Itg a process to gradually understand the functional perfection of Taiyuanfu theatre in Qing Dynasty and put it into practice, which needs the interaction between craftsmen and villagers represen- ted by the actor, the chief of She and headman - in - charge, as well as the communication and influence among different areas.