摘要
竹雕作为中国封建时代晚期的工艺美术的重要代表,具有美学和哲学的双重价值,论文从社会学、图像学角度出发对其意识形态和审美特点进行深入研究,进而折射出明清时期的中国文化现状和审美理想。
As an important representative of Arts and Crafts of China's the late feudal era, bamboo carving has double values of aesthetics and philosophy. Its ideology and aesthetic features were studied in -depth from the point view of sociology and iconography. Thus the status of Chinese culture and the aesthetic ideal in Ming and Qing Dynasties were revealed.
出处
《竹子研究汇刊》
北大核心
2013年第1期30-33,共4页
Journal of Bamboo Research
基金
文化部科技创新项目"传统艺术元素在文化产业园中的应用效果研究"(13-2011)
教育部人文科学研究项目青年基金(2011JYRW1433)
关键词
竹雕
工艺美术
意识形态
审美
竹文化
bamboo carving
arts and crafts
ideology
aesthetic
bamboo culture