论1990年代大庆石油文学的后现代性——以王鸿达短篇小说《死羊眼》为例

On the Postmodernist Features of Daqing Petroleum Literature of the 1990s——Taking Wang Hongda's Short Story “The Dead Eye of a Sheep ”as An Example

1990年代的大庆石油文学呈现的文化选择既有传统的现代性,也有新潮的后现代性。认识论由总体性转向片断性,使文本结构呈现碎片拼接的特征;后现代女性主义介入社会生活,使两性关系在文本中呈现出非和谐的紧张状态;变动不居的"游牧化"生活范式,使文本中的形象无法理解自己所预期并选择的文化形态。

The cultural choice of Daqing petroleum literature of the 1990＂s is of both modern tradition and el- ements of postmodernism. The Epistemology transforms from overall steering to fragments, and the text structure is composed of many fragments. Postmodern feminism intervened in social life, and the relation between the sexes in the text is in a nervous state of non-harmony. The unsettled ＂nomadic＂ life paradigm makes the images in the texts unable to understand their own expectations and selection of culture.