摘要
佛理,虚幻缥缈;石材,质地坚实。虚与实的结合,凝聚成寄托人类思想精神的物质产物,成为了思想与艺术相互交融的精神载体。在信奉佛教思想的人们心中,石雕佛像承载了人们精神追求的最高理想诉求,正所谓"庄严国土、行乐有情"。笔者在创作构思石雕佛像的艺术形象时,领悟实践禅学之宗旨,遵行中国石雕佛教造像手法,研究分析了中国传统石雕造像创作中,有关线性的描绘、适形造型、意象表达,以及强化含蓄之美感等雕刻手法,坚持心手相师的理念,将佛学禅宗之气韵精神融入作品之中。
Buddhism is dimly discernible. Stone is strong and visible. The combination of virtual and real con- densed into human spirit crystallization and become the sprit carrier of the combination of ideas and art. In the mind of the people who believe in Buddhism, Buddha statues bear the weight of highest demands of people' s pursuit for sprit, and this is the so-called "solemn land, affectionate pleasures." When the author created of Buddha statues, we understood Buddhism deeply, and followed the Chinese Buddha statues techniques to analyze the carving methods on linear portray, conformal molding, and image expression, and so on. The author carefully put Buddhism sentiment into practice.
出处
《雕塑》
2013年第4期68-69,共2页
Sculpture
关键词
中国石雕
佛像
创作手法
Chinese stone carving, Buddha, Creative methods