摘要
作家刘震云根据自己创作的小说《温故一九四二》改编的电影《一九四二》上映后,在国内引起强烈的反响。这部对生命与历史抱持着尊重与客观态度的影片让国人重新反思,对那段不曾经历的历史,对那些不应忘记的人,如今的我们能做些什么。影片围绕"人"的主题,从历史中延展的生命维度、人的栖居——故乡家园的概念、人的信仰三个方面对生命本体进行了描述。生命个体始终是值得被尊重的,假如他没有在存在的时候被尊重,至少也要在记忆中被留存。反思生命是回归到对艺术创作核心问题的探讨,对生命存在的相关思索是艺术创作永恒的命题。
The film 1942 adapted from Liu Zhenyun＇s Back to 1942 has aroused strong echoes. This film, with a respectable and objective attitude to life and history, makes people rethink that period of history and what we can do for those who should remembered. The ＂human＂ theme of the film is analyzed in three aspects： life dimension, homeland, and belief. The individual life is always worth being respected; if he is not respected when he is alive, he should be remembered. Reflection on life is returning to explore the core issues of artistic creation; thinking of the existence of life is the eternal artistic proposition of artistic creation.
出处
《廊坊师范学院学报（社会科学版）》
2013年第4期29-31,共3页
Journal of Langfang Normal University(Social Sciences Edition)
