20世纪50-70年代民族小说的自我认同原因探析

Analysis of the Reasons for Minority Novels' Self-identity in 1950-70s

20世纪50-70年代,少数民族小说对主流文化的一体化认同中,往往内含了一种自我认同。这既因为民族作家自我的文学观与当时主流的文学观之间存在裂缝,又因为民族作家坚持从自我生活出发的创作实践与当时从政治出发的主流文学观念之间存在冲突,更因为民族作家的双重文化背景存在的内在矛盾。这为今天的民族小说留下了诸多值得反思的问题,当今的民族文化建设也能从中获得诸多启发。

In the 1950-70s, the minority novels＇ integrative identity of the mainstream culture often contains a hidden self-identity. The reason for this phenomenon lies in three aspects： the gap between the ethnic writers＇ own literary concepts and the contemporary mainstream literary view, the conflict between the writer＇s persist- ence of composing from his/her own life and the predominant literary concept out of political need, and the inner contradiction of the minority writers＇ double cultural backgrounds. This leaves many issues worthy of reflecting. Today＇s culture construction can also gain a lot of inspiration from this.