摘要
《等待戈多》通过神人对话,表现了第二次世界大战后现代人信仰的迷失和救赎,“等待”的主题贯穿其中。贝克特在“等待”的过程中展现了现代社会多样共生、互动对话的思想体系,以及人们在面对不同选择时的迷茫和坚守。巴赫金的对话主义以“著存的差异之间的交流”为核心,把自我/他者之间的对话看作存在活动的根源,追求狂欢化和未完成性,为文学和文化研究开辟了新的领域,具有积极的社会意义。《等待戈多》堪称对话主义的典范之作。
Waiting for Godot by the dialogue between God and man represent the lost and redemption of modern peoplet s belief after World War Ⅱ, the theme of "6waiting for" runs through them. Bakhtinrs dialogism view "coexistence of differences between the exchanges" as the core, the origin of self / other conversations when there are active, the pursuit of Carnival and unfinished, opens up a new field for the study of literature and culture, and has positive social signifi- cance. Waiting for Godot can be called as a paradigm of dialogism.
出处
《世界文学评论(高教版)》
2013年第1期57-60,共4页
The World Literature Criticism
关键词
《等待戈多》神人对话
巴赫金
对话主义
Waiting for Godot the dialogue between God and man Bakhtin diaIogism